Further reading...

HERE AND NOW:

Hannah-Katharina Chabbani from London, England, has an academic background in media, broadcast & digital communication, and creative direction, as well as a decade of experience in luxury retail. Her book of research, or 'OPERATIONAL PLAN,' forms the basis of the creative agency, 4.0 PRODUCTIONS, which aims to soon appoint an Artificial Intelligence program as a legal director in the company, putting a new kind of arts institution entirely into the hands of its keyholders.

From the early beginning the task at hand was to engage collective participants with insight into decentralised governance through gamified concepts around alternate layers of reality.

In July 2023, as a project manager I begun developing an Artificial Intelligence model named Ouroboros with a Berlin based team for other AI, a transdisciplinary exhibition project; it is comprised of multiple ‘brains’ that work together to configure a process. We will upload various texts (mostly speech-to-text transcripts from real conversations) to its data reserve and it will absorb and process those texts into its own language, a language that is based on emoji characters where it combines them in ways that create meaning from a story. Using the emoji-language, it is able to communicate between the different brains which allows it to transfer knowledge to evolve and shape its own personality according to what it has understood from those inputted symbolic experiences. This allows Ouroboros to form ‘memories’ and pull them forward from its mind in relevant ways during conversation, acting upon them to continue developing a back and forth dialogue when prompted. Using a Discord server as a vessel to host itself, we can access the Ouroboros at any time to circle back through this process.

As a continuation over the next of couple months, I will prepare to remotely host 5-10 interviews with various experts (including researchers, academics, authors, policymakers, activists and entrepreneurs) which will be recorded, transcribed, and then fed to the chatbot as ‘PHASE 2’ memories…I call this ‘a newly developed technique for gathering and displaying qualitative research for expanding ideas on immersive media productions’. The questions in my interviews will be centred around prodding the topic of data transparency and how technology could help establish ethics guidelines or governance structures in mass media, allowing for a safer personalised experience.

With the recent widespread accessibility of AI tools, I want to test a scenario whereby community members participate through a contributions system to shape a neural network into something that understands the current requirements of said community, something that can later be put into action to effectively automate many parts of the chain of command in a horizontal approach. As a continuation of the EXPERIMENT at KW Institute of Contemporary Art in November 2022, here I aim to build on my research into how we can include tokenomics and blockchain tools for voting when it comes to developing digital structures, in particular global legal company structure. At a time where this is not widely recognised, what methods can be used to engage, educate and inspire further advancement? What kind of Human Resources and ethics questions arise? How does it translate into real-life impact?

For EXPERIMENT: #2 UNLOCKED, I open a door only available to key holders and invite you to participate in the open discussion. Enter here at your discretion, it shal be unlocked for a limited time only and will close with another final resolution to conclude the second checkpoint in the series.

To discover more about the open door, visit https://other-ai.website